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Search resuls for: "Joy Luck"


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Set in the 1970s as the Vietnam War draws to a close, Xuande embodies The Captain, an unnamed double agent for the Viet Cong operating within the American-backed South Vietnamese army. ‘It’s my life’Chinh, known for her role in “The Joy Luck Club,” portrays a refugee mother to a South Vietnamese Major (Phanxine) who is forced to flee to the US. Drawing parallels with her own life, she was born during the Vietnam War and was forced to evacuate at the age of 15. A unique casting challengeCasting the role of The Captain was a critical and challenging task for casting director Jennifer Venditti and her team. Xuande’s response to an international casting call immediately caught their attention with an impressive audition tape.
Persons: Viet Thanh Nguyen, , Park Chan, ” Xuande, Xuande, , Robert Downey Jr, “ Oppenheimer, Sandra Oh, Fred Nguyen Khan, Toan Le, Vy Le, Nguyen Cao Ky Duyen, Alan Trong, , Chinh, Joy, Sofia Mori –, , It’s, ” Oh, Jennifer Venditti, Don McKellar, Xuande familiarized, Chan, we’d Organizations: CNN, HBO, Warner Bros ., Viet, Opportunity, Hollywood, Joy Luck, South Locations: Vietnam, United States, Saigon, Sydney, Australia, South Vietnamese, Los Angeles, South Korea, Hollywood, Viet
How New Technology Changed Mahjong
  + stars: | 2024-02-10 | by ( Marilyn Ong | ) www.nytimes.com   time to read: +1 min
In other words, the shuffling is where the action happens: the boisterous fun, the communal spirit, the all-important gossip. Not so for Jennifer Brown, whose post about her mom’s auto table has now garnered nearly 20 million views. Ms. Brown credits the table with inspiring her and her sisters to finally learn the Filipino style of mahjong her mother plays. “Before, when my mom would play it and mix the tiles by hand, it just didn’t seem as interesting,” she said. “But adding a table that shuffled for you and rolled the dice for you made it exciting to us.”
Persons: Joy, , Jennifer Brown, Brown Organizations: Joy Luck, Rich Locations: TikTok
“All-American Girl” debuted on ABC in 1994, though it lasted only 19 episodes. There were so few Asian American stories emerging — save occasional indie breakouts like “Better Luck Tomorrow” — that the “initial stabs” had to be “be kind of like our best foot forward — putting on our best face, showing them what we can do,” Yu said. “There was this underlying feeling of ‘Don’t air out our dirty laundry, don’t let them see us fighting,’” he added. They called it the “rep sweats” — the anxiety they felt any time they watched an Asian American onscreen. It was a pressure emanating from the fact that those appearances were so few and far between.
Persons: , Jeff Yang, Phil Yu, Philip Wang, , Yang’s, Hudson, Randall, Yu, ” Yu, , we’ve Organizations: Luck, ABC Locations: American, America
The idea for an office mahjong league came unexpectedly to Bella Janssens, the director of the architectural design firm Food New York, which has collaborated with Virgil Abloh, Axel Vervoordt and Manhattan’s Museum of Modern Art. Though it originated in China in the 19th century, mahjong has long been popular throughout Southeast Asia, Japan and America; it was brought stateside by a Standard Oil company representative returning from Shanghai in the 1920s. Wong, who was born and raised in San Diego, had a typical second-generation immigrant’s relationship to mahjong. (His parents are from Hong Kong.) “I played it once, probably with my grandparents and great-aunts, and my memory was that I won that game,” he says, “and only 30 years later did I realize they were probably just [messing] with me.”
Janet Yang, the President of the Academy at the 95th Oscar Nominations Announcement held at the Samuel Goldwyn Theater on January 24, 2023 in Beverly Hills, California. Janet Yang is one of the most powerful people in Hollywood — but for a long time, she thought a career in entertainment was impossible. On the Universal Studios lot, Yang met two people that would change the course of her career: Steven Spielberg and Kathleen Kennedy. Last summer, when the academy announced they were looking for a new president, Yang nominated herself for the job. Outside of the academy, Yang has earned a reputation as a "godmother" to other Asian Americans working in Hollywood and is actively involved in several organizations working to amplify AAPI voices in entertainment.
"There was something about the Coast Guard, the missions, seeing the small boats that just spoke to me," she says. Fagan ended up attending the U.S. Coast Guard Academy and her first tour of duty in 1985 took her to Antarctica. From there, the Coast Guard would offer a new assignment every couple of years. Of all 32 teams in the NFL, less than 10 have a Black or female president. "To me, the definition of success isn't being the first — it's to have many, many others follow behind you."
‘The Joy Luck Club’ may be getting a sequel
  + stars: | 2022-10-13 | by ( Lisa Respers France | ) edition.cnn.com   time to read: +1 min
CNN —Almost 30 years after the groundbreaking Asian American film “The Joy Luck Club” released, plans are being made for a new movie that will catch up with the characters from the original. According to Deadline, a sequel is in development with Oscar-winning screenwriter Ron Bass and author Amy Tan that will continue the story based on her bestselling novel of the same name. The 1993 film starred Rosalind Chao, Lisa Lu, Tamlyn Tomita, and Ming-Na Wen. It told the multi-generational tale of a group of Chinese mothers and their Chinese American daughters. A director has yet to be announced for the new film.
‘The Joy Luck Club’ is getting a sequel
  + stars: | 2022-10-12 | by ( ) www.nbcnews.com   time to read: +2 min
Novelist Amy Tan and Oscar-winning “Rain Man” screenwriter Ron Bass are on board to deliver a sequel to “The Joy Luck Club,” the 1993 movie that broke new ground for Asian American representation. The new film, “Joy Luck Club 2,” is set up at Ashok Amritraj’s Hyde Park Entertainment Group, with Ashok and Priya Amritraj producing alongside Tan, Bass and Jeff Kleeman. The original “Joy Luck Club,” directed by Wayne Wang, was an epic, multigenerational saga of Chinese and Chinese-American mothers and daughters, whose histories, stories and lives interweave as they navigate life. In “Joy Luck Club 2,” the mothers become grandmothers and the daughters become mothers in their own right, introducing a new generation exploring their own relationships with culture, heritage, love, womanhood and identity. The original film debuted in limited commercial release in September 1993 and also played at the Toronto International Film Festival.
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